
JM, l'escalier d'Enfer: Radio Walk, Franklin Hills, 11.28.07
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The politics, sex, class of the author are all-important while the book at hand is simply an excuse to discuss, say, the anti-Semitism of Pound, the homosexuality of Whitman, the social climbing of James. Since the American character is especially tendentious and sectarian, the American critic must decide in advance whether or not the writer he is writing about is a Good Person; that is, one who accepts implicitly all the going superstitions (a.k.a values [sic]) of the middle class of the day. If the writer is a Good Person, then what he writes is apt to be good. If he is a Bad Person, forget it.Good God, the LA Times' piece was such a very sad exemplar of this. "[T]he literary world was not just mourning him but also grappling with his complicated legacy." In other words, as Mailer was a Bad Person, at his death people don't seem to know what to say, and they're not about to do something so rash as, say, revisit his work, or even let it stand up for itself. Mailer's death was an excuse to discuss Mailer the bad person, not Mailer's text.
Lynn didn't make it to the event because tomorrow is her second chemo treatment and it was damn cold this morning and she didn't want to risk a cold. But I brought the run for her shirt home and Lynn modeled it right away. "Call it 'Week Three" she said. So there it is. "Week Three."


